Alexa Raisbeck works between the concerns of film, text, sculpture and installation. Her focus is on the creation of artefacts that call attention to film: its body as material, the film frame as structure and its content as language.
Like the ‘structural-materialist’ filmmakers of the 1970s she seeks to challenge the conventions of film presentation and to ask questions such as: ‘Why should film have to be projected? Why not subvert its linear format? Dispel the narrative illusion?’ To emphasize the materiality of film she discounts the use of photographic representation and instead uses other methods, such as text, to draw attention to the inherent characteristics of film as substance. In one piece hundreds of frames of the word ‘Picture’ are presented on a light box, offering a visual example of semantic satiation, where a repeated word loses meaning and it becomes difficult to discern if its letters appear in the correct sequence, or whether they are upside down or back-to-front.
In another work titled ‘I am Celluloid’ a length of 35mm film carrying textual information is threaded through a series of rollers; when powered by a hand-cranked mechanism the messages pass through the rollers and across the gallery space, spilling outwards in projections caused by ambient light levels. The film installation, ‘Visual Tension’, comprises a 16mm projector and film stock, a series of rollers, a mirror and stretched canvas. This work simultaneously explores the conceptual, optical and physical tensions of film by overlaying the projected image of light and colour with the materiality of its celluloid source.
Raisbeck still works as a professional film projectionist, one of just a handful remaining as digital formats take over in cinema. She notes: “the projectionist’s job is supposed to be invisible. One’s work is to ensure that nothing hinders the image or sound so that the storytelling can work its magic… basically to obscure the medium. My artworks using film seek to subvert this… they show the processes that are usually hidden.”
Alexa Raisbeck studied Media Arts at Royal Holloway, University of London (2003 – 2006) and for an MA in Art and Media Practice at the University of Westminster (2009 – 2011). At the same time as her BA studies she trained in film presentation, handling and mechanics as a projectionist with 35mm. She subsequently took up technical management posts and also went to Canada to train with larger film gauges including 70mm. As a highly experienced film projectionist she continues to work in Leicester Square, which allows her to financially subsidise her artistic practice. Recent exhibitions of her work include The Brain Art Project (2012), Sydney, Australia and Hidden (2011), Shoreditch Town Hall, London. anlraisbeck.wix.com/alexaraisbeck
Marsden Woo Project Space is curated by Tessa Peters
The Marsden Woo Project Space is a space for experimental new work in art, craft and design and runs alongside our established programme of solo and small group exhibitions by gallery artists. The Project Space allows us to respond quickly to significant bodies of innovative work, particularly that of talented emerging artists and designers, as well as fresh directions in the work of more established artists. The exhibitions are organized at short notice, so please check our website regularly for news of forthcoming shows and events.
For more information, images, or to arrange an interview with the artist please contact Tatjana Marsden or Siobhan Feeney. Tel: 020 7336 6396 Email: firstname.lastname@example.org
Gallery opening hours are Tuesday to Friday 11.00 – 18.00 and Saturday 11.00 – 16.00.
Nearest tube stations are Barbican, Farringdon or Old Street.